{"id":2387,"date":"2021-12-23T23:13:39","date_gmt":"2021-12-23T22:13:39","guid":{"rendered":"https:\/\/jacky-craissac.fr\/index.php\/la-presse-suite-_copie\/"},"modified":"2022-04-11T18:36:38","modified_gmt":"2022-04-11T16:36:38","slug":"la-presse-suite-en","status":"publish","type":"page","link":"https:\/\/jacky-craissac.fr\/index.php\/en\/la-presse-suite-en\/","title":{"rendered":"The press from 1966 to 1987"},"content":{"rendered":"\n

The press from 1966 to 1987<\/strong><\/strong><\/p>\n\n\n\n

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\u00ab\u00a0….If syncretism pertains to the merging of several cultures, then Craissac is the \u00ab\u00a0syntechrist\u00a0\u00bb of a music half-way between Olivier Messiaen and Klaus Schulze…\u00a0\u00bb<\/em><\/p>Sigma festival \u2013 C. Gren\u00e9 – 1987<\/em><\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0\u2026One must go hear Jacky Craissac not only for his real skills as a musician, but to discover new sound tools born in the imagination of this strange man, penetrating no doubt the symphonic world of half a century or so\u2026\u00a0\u00bb<\/em><\/p>Ville de Bordeaux \u2013<\/em> Sud Ouest \u2013 1987<\/em><\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0\u2026Jacky Craissac is one of the few French percussionists who has engaged in research at a level which likens him to the great modern creators. Today his art, in a perpetual state of creation, feeds solely on invention\u2026\u00a0\u00bb<\/em><\/p>Musique – Jacky Craissac m\u00e9dite au F\u00e9mina -Sud Ouest \u2013 F. Mothe \u2013<\/em> 1984<\/em>
<\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0Therapeutic sounds? There is of that. Except that the evil to be cured is purely educational, a sort of vast sensory infirmity of the individual reduced to standard behavior from which he persists in not emerging.
This is what Craissac explains: \u00ab\u00a0I was surprised a long time ago that people’s expression did not correspond to their inner reality. They refuse to express their privacy.
It’s a host of sensations, repressed feelings that translate into a life of unease. People lie to themselves. Even when they have carried out this search for their inner life, they have a reflex of hindsight.\u00a0\u00bb<\/p>Physiological pulsations \u2013 Sud Ouest \u2013 B. Lastera \u2013 1984<\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0\u2026The \u00ab\u00a0Symphony for 50 Timbres and Instruments\u00a0\u00bb filling my head with tumult, reminds me surprisingly of the concertos of Haendel and Bach – same musical perfection, same life drive, same madness\u2026\u00a0\u00bb<\/em><\/em><\/p>C. Guignard \u2013 Revue Musique \u2013 1983<\/em><\/cite><\/blockquote>\n\n\n\n

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1983 – Danse Musique : Arcadonites<\/p> Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1983 – Gong for a new musical awakening \u2013 Sud Ouest – R.-A. Guibot<\/p>Read the article (French)<\/a><\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0\u2026This \u00ab\u00a0Suite for percussion\u00a0\u00bb contains all the fury, tenderness and passion of the artist. Jacky Craissac has just given a concert in Paris, and the audience has received warmly this concert of timbres, this torrential life, this thundering sound\u2026\u00a0\u00bb<\/em><\/p>Critique Festival<\/em> Sigma \u2013 Sud Ouest \u2013 1980<\/em><\/cite><\/blockquote>\n\n\n\n

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1981 – Jacky Craissac \u00ab\u00a0I don’t have a Western head\u00a0\u00bb – Sud Ouest – Sylvain Viaut<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0\u2026Pushing the sound to its climax, Jacky Craissac suddenly alights on exquisitely soft shores again. He caresses and sculpts, whispers and confides, as if he were talking to the birds. Indisputably, Jacky Craissac is one of the most creative percussionnist of his generation\u2026\u00a0\u00bb<\/em><\/p>F. Mothe \u2013 Sud Ouest \u2013 January<\/em> 1980<\/em><\/cite><\/blockquote>\n\n\n\n

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1981 – Jacky Craissac may have found his wisdom – Sud Ouest – J.-L. Oriou<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1980 – The return to the sources of Jacky Craissac – Sud Ouest – F. Mothe<\/em><\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1980 – JC at the end of the month in Bordeaux – Sud Ouest<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1980 – Jacky Craissac at Germinal – Imprimatur n\u00b0 243 – C. Guinard<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1980 – Eyzines- Childhood fortnight<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1979 – LA MARNE Workshop: Jacky Craissac and the inner rhythm at the Chelles cultural center<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1976 – Percussion at school – A musical initiation like no other in Montanou – Sud Ouest<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0\u2026Jacky Craissac is a percussionist who, alone on stage, amidst some 30 percussion instruments, composes a somptuous symphony of timbres\u2026 \u00ab\u00a0<\/em><\/p>C. Baign\u00e8res \u2013 Le Figaro \u2013 25 novembre 1974<\/em>
 <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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1974 – Trombinoscope Jacky Craissac – Interview : M. Jammet – Tendance Bordeaux, hebdomadaire r\u00e9gional d’information n\u00b07<\/p> <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

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\u00ab\u00a0Even if Craissac declares to be a fervent admirer of Max Roach, his style is certainly closer to that of Roy Haynes, but more by the extreme rigor of his musical structures, than by the style in itself and for itself. which at home is, without any doubt, more modern and current.<\/em>\u00ab\u00a0<\/p>Claudio Lo Cascio \u2013 Palermo Festival \u2013 1966<\/em>
 <\/a>Read the article (French)<\/a> <\/cite><\/blockquote>\n\n\n\n

\n","protected":false},"excerpt":{"rendered":"

The press from 1966 to 1987 \u00ab\u00a0….If syncretism pertains to the merging of several cultures, then Craissac is the \u00ab\u00a0syntechrist\u00a0\u00bb of a music half-way between Olivier Messiaen and Klaus Schulze…\u00a0\u00bb Sigma festival \u2013 C. Gren\u00e9 – 1987 \u00ab\u00a0\u2026One must go hear Jacky Craissac not only for his real skills as a musician, but to discover … <\/p>\n

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